Taxi Driver (BFI Film Classics)

Taxi Driver by Amy Taubin – review
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What Does The Ending Of Taxi Driver Really Mean?

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Taxi Driver (BFI Film Classics) [Amy Taubin] on deocomdudistio.cf *FREE* shipping on qualifying offers. Taxi Driver made Martin Scorsese's reputation as a director. Paul Schrader was in meltdown in Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer's attempt.

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In the early 70s, the. It's a weird little joke on the horror genre and a sign of the way the language of horror and the language of neo-realism will fuse in the film. Travis, on the other hand, suffers from a narcissistic character disorder. Among the many remarkable aspects of De Niro's performance is the way he continues to suggest until the very end that we haven't yet seen the worst of Travis. Wojnarowicz is seated in a chair, facing the camera. Schrader absorbed Bremer's inner voice the diaries were heavily excerpted in the massive newspaper coverage of the shooting and grafted it onto a character that, as he explained, was more or less himself at a very low point in his life.